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Poster designed for Juan Francisco Rodríguez film called Parientes del valle luminoso.
The typography I used for the title is the same used in the short, it was made by Francisco scratching directly on the film with a needle .
We De Try is a publication developed with Esther Aminata Kamara and Creative Media for Social Change, exploring storytelling and story-listening as research practices within higher education. The research follows a process of questioning how stories are listened to, interpreted and shared, and what care and responsibility mean within these encounters.
How can a publication give form to a personal and non-linear research journey while inviting the reader to listen along the way?
Working with Esther, I first explored different forms the research could take, including an interactive website, a podcast series and an illustrated book. Together we chose to develop the book, and I translated her writing and research journey into a visual and material form.
I designed and illustrated the publication as a continuous reading experience, using drawings, diagrams, shifts in composition and speech-like elements to accompany the movement between personal stories, research reflections and theoretical ideas. The visual language moves alongside the writing and helps give rhythm and form to the changes in voice and perspective.
The final publication was printed and binded by me in 4 color RISO printing, carrying the project from early publishing exploration through design, illustration and final production.
Zine Camp is an annual two-day festival for DIY publishers of low-volume publications such as magazines, zines and booklets and visitors/interested in independent publishing, print and binding. The purpose of this festival is to offer a free platform for low-key publishers, creators and visitors to network with each other and provides an opportunity for low-volume publications from DIY publishers.
My roles here were visual identity design, web design and co-direction of the festival, both program and production.
Poster design, cover and cassette for Por la inflamada esfera.
*The footnote sentence is taken from the album’s entry on Bandcamp.
This was a beautiful project to make. I wish more of this could come.
Zine Camp is an annual two-day festival for DIY publishers of low-volume publications such as magazines, zines and booklets and visitors/interested in independent publishing, print and binding. The purpose of this festival is to offer a free platform for low-key publishers, creators and visitors to network with each other and provides an opportunity for low-volume publications from DIY publishers.
My roles here were visual identity design, web design and co-direction of the festival, both program and production.
Sketchbook experiments,
or conversations between digital and analog mediums,
Yes, better that. I like conversations.
One time, I was trying to read and I arrived here.
Exploration with RISO colors, magic and reading while traveling in the train.
Colors that are stones, stones that are the source of the words
Zine Camp is an annual two-day festival for DIY publishers of low-volume publications such as magazines, zines and booklets and visitors/interested in independent publishing, print and binding. The purpose of this festival is to offer a free platform for low-key publishers, creators and visitors to network with each other and provides an opportunity for low-volume publications from DIY publishers.
My roles here were visual identity design, web design and co-direction of the festival, both program and production.
About time, scrolling, clocks and solar circumferences.
More than 500,000,000 objects inhabit the solar system; planets are only the 8 largest after the sun. This zine is an 8-page journey through space bodies that coexist with the largest objects.
A circle is a dot that in its prolongation returns to itself.
About reflection and distribution of critical thought.
Pattern design for the flower shop Diflora in Bogotá.
Lights, rocks, stems, tension, space and composition.
Once I made sketches for a full series of these prints, I think one day I’ll make it happen.
Rather than communicate an objective relate or a story, Encounter seeks to propose several readings about the graphic information printed on paper speculating about three “levels” of communication: Syntactic, Semantic and Pragmatic. The book use as resources: organic forms that are related; different dimensions of language; paper inserts, and a text that suggests poetic and conceptual connections between all the elements of the book.
One of my first RISO prints.
Un paisaje, el horizonte y las piedras que siempre aparecen.
Quiero volver a pensar en afiches para el páramo por eso estoy poniendo este en este archivo.
Por ahora acá va uno que hice aprendiendo RISO, y esa foto que use me gusta mucho. La tomé en el Chingaza, y no la encuentro por ningún lado.
Passiflora is a Bogotá-based city tour company dedicated to curating immersive local experiences for international travelers. Rooted in direct support for local economies, the brand bridges cultural exchange with urban discovery for a vibrant and curious audience.
How can a visual identity capture the raw, electric pulse of a metropolis while honoring its rich natural flora?
I developed a dynamic identity system that blends botanical geometry with Bogotá’s urban edge. Taking inspiration from the radial form of the passiflora flower, the logomark acts as a sunburst emblem of local vitality. Fluid, psychedelic gradients contrast against sharp grids and dark canvas backgrounds, echoing the sensory overload of local street markets, night games of Tejo, and city transit.
The identity includes a logomark, custom poster graphics featuring vibrant fruit and movement illustrations, merch applications (tote bags and tour vans), promotional flyers, and corporate stationery. The color palette draws from high-contrast urban nightscapes and bright, tropical hues.
First RISO print ever, printed at a workshop with RISO Colmillo in Bogotá.
Staring at the sun is a book project about gaze, sun, power and contemplation.
(*)
Staring at the sun,
give up to the light,
find the center,
the being
The beginning of a series of illustrations about seeds and watchers.
It was just that: a beginning.
Cover and back cover for Tajalapiz publication. A sketchbook collection of Bogotá artists.
This brings me good memories.
Poster design for a Barber shop in Bogotá.
I found this image as some of the only left in this old hard drive I had during the last years of Bachelor. There is something I like about this drawing. Something about carving maybe. The poster itself is not great but the wood. I don’t know, I also lost a lot of other things I made on woodblock.
Poster design for a Frankenstein the movie, part of the publication “Afiches de Horror”.
The poster was printed in Offset using two inks.
I remember I enjoyed a lot drawing the title.
Illustrations I made thinking of playing cards and bugs structures. I remember back then I was inspired by this beautiful work of this old guy in Colombia that painted big colored bugs. He was like 85 back then, I wonder what is his name.
This is another oldie I found and thought it would be nice to add to the archive.
Sticker design of the three piglets tale: House 1, house 2, house 3.
Poster designed for Juan Francisco Rodríguez film called Parientes del valle luminoso.
The typography I used for the title is the same used in the short, it was made by Francisco scratching directly on the film with a needle .
We De Try is a publication developed with Esther Aminata Kamara and Creative Media for Social Change, exploring storytelling and story-listening as research practices within higher education. The research follows a process of questioning how stories are listened to, interpreted and shared, and what care and responsibility mean within these encounters.
How can a publication give form to a personal and non-linear research journey while inviting the reader to listen along the way?
Working with Esther, I first explored different forms the research could take, including an interactive website, a podcast series and an illustrated book. Together we chose to develop the book, and I translated her writing and research journey into a visual and material form.
I designed and illustrated the publication as a continuous reading experience, using drawings, diagrams, shifts in composition and speech-like elements to accompany the movement between personal stories, research reflections and theoretical ideas. The visual language moves alongside the writing and helps give rhythm and form to the changes in voice and perspective.
The final publication was printed and binded by me in 4 color RISO printing, carrying the project from early publishing exploration through design, illustration and final production.
Zine Camp is an annual two-day festival for DIY publishers of low-volume publications such as magazines, zines and booklets and visitors/interested in independent publishing, print and binding. The purpose of this festival is to offer a free platform for low-key publishers, creators and visitors to network with each other and provides an opportunity for low-volume publications from DIY publishers.
My roles here were visual identity design, web design and co-direction of the festival, both program and production.
Poster design, cover and cassette for Por la inflamada esfera.
*The footnote sentence is taken from the album’s entry on Bandcamp.
This was a beautiful project to make. I wish more of this could come.
Zine Camp is an annual two-day festival for DIY publishers of low-volume publications such as magazines, zines and booklets and visitors/interested in independent publishing, print and binding. The purpose of this festival is to offer a free platform for low-key publishers, creators and visitors to network with each other and provides an opportunity for low-volume publications from DIY publishers.
My roles here were visual identity design, web design and co-direction of the festival, both program and production.
Sketchbook experiments,
or conversations between digital and analog mediums,
Yes, better that. I like conversations.
One time, I was trying to read and I arrived here.
Exploration with RISO colors, magic and reading while traveling in the train.
Colors that are stones, stones that are the source of the words
Zine Camp is an annual two-day festival for DIY publishers of low-volume publications such as magazines, zines and booklets and visitors/interested in independent publishing, print and binding. The purpose of this festival is to offer a free platform for low-key publishers, creators and visitors to network with each other and provides an opportunity for low-volume publications from DIY publishers.
My roles here were visual identity design, web design and co-direction of the festival, both program and production.
Contribution to the project Postal services initiated by Ana Maria Lozano and Sophia Prieto.
Pictures by Ana Maria.
About time, scrolling, clocks and solar circumferences.
More than 500,000,000 objects inhabit the solar system; planets are only the 8 largest after the sun. This zine is an 8-page journey through space bodies that coexist with the largest objects.
A circle is a dot that in its prolongation returns to itself.
About reflection and distribution of critical thought.
Pattern design for the flower shop Diflora in Bogotá.
Lights, rocks, stems, tension, space and composition.
Once I made sketches for a full series of these prints, I think one day I’ll make it happen.
Rather than communicate an objective relate or a story, Encounter seeks to propose several readings about the graphic information printed on paper speculating about three “levels” of communication: Syntactic, Semantic and Pragmatic. The book use as resources: organic forms that are related; different dimensions of language; paper inserts, and a text that suggests poetic and conceptual connections between all the elements of the book.
One of my first RISO prints.
Un paisaje, el horizonte y las piedras que siempre aparecen.
Quiero volver a pensar en afiches para el páramo por eso estoy poniendo este en este archivo.
Por ahora acá va uno que hice aprendiendo RISO, y esa foto que use me gusta mucho. La tomé en el Chingaza, y no la encuentro por ningún lado.
Passiflora is a Bogotá-based city tour company dedicated to curating immersive local experiences for international travelers. Rooted in direct support for local economies, the brand bridges cultural exchange with urban discovery for a vibrant and curious audience.
How can a visual identity capture the raw, electric pulse of a metropolis while honoring its rich natural flora?
I developed a dynamic identity system that blends botanical geometry with Bogotá’s urban edge. Taking inspiration from the radial form of the passiflora flower, the logomark acts as a sunburst emblem of local vitality. Fluid, psychedelic gradients contrast against sharp grids and dark canvas backgrounds, echoing the sensory overload of local street markets, night games of Tejo, and city transit.
The identity includes a logomark, custom poster graphics featuring vibrant fruit and movement illustrations, merch applications (tote bags and tour vans), promotional flyers, and corporate stationery. The color palette draws from high-contrast urban nightscapes and bright, tropical hues.
First RISO print ever, printed at a workshop with RISO Colmillo in Bogotá.
Staring at the sun is a book project about gaze, sun, power and contemplation.
(*)
Staring at the sun,
give up to the light,
find the center,
the being
The beginning of a series of illustrations about seeds and watchers.
It was just that: a beginning.
Cover and back cover for Tajalapiz publication. A sketchbook collection of Bogotá artists.
This brings me good memories.
Poster design for a Barber shop in Bogotá.
I found this image as some of the only left in this old hard drive I had during the last years of Bachelor. There is something I like about this drawing. Something about carving maybe. The poster itself is not great but the wood. I don’t know, I also lost a lot of other things I made on woodblock.
Poster design for a Frankenstein the movie, part of the publication “Afiches de Horror”.
The poster was printed in Offset using two inks.
I remember I enjoyed a lot drawing the title.
Illustrations I made thinking of playing cards and bugs structures. I remember back then I was inspired by this beautiful work of this old guy in Colombia that painted big colored bugs. He was like 85 back then, I wonder what is his name.
This is another oldie I found and thought it would be nice to add to the archive.
Sticker design of the three piglets tale: House 1, house 2, house 3.