Media:
A listening calendar that propose a time effort to listen more to others. Every day a sentence with a new question.
I was commissioned to make the creative direction, graphic design and print production.
(More pictures to come) (English version in progress)
Submission for the publication “Potato” by Potato press and the publisher mul-thee-funhjk-shuh-nl.
Design in Rotterdam, Amsterdam and Groningen.
<3
As part of the ongoing project Envision Change, Creative Media for Social Change commissioned me to create a publication to wrap up a year of processes with the community. We wrote, designed, and printed a map-like publication that gathers pictures, thoughts, and actions that inhabitants experienced.
Poster designed for Juan Francisco Rodríguez film called Parientes del valle luminoso.
The typography I used for the title is the same used in the short, it was made by Francisco scratching directly on the film with a needle .
The Doubt Times is a newspaper publication in the format of table placemat that trigger questions about disinformation.
In collaboration with Creative Media for Social change.
This project brought together artists, scientists and citizens to converse and create artworks reflecting on different questions. The output was an exhibition, multiple conversations and this printed book.
Layout design for the Master’s Thesis publication The ice was blue and the Ice was thick written by Lea Novi.
This was made in collaboration with Maria Paris under attempt’s umbrella.
We de try is a publication about listening made in collaboration with the writer Esther Kamara.
What are the differences between reflection and diffraction?
This experimental zine explores both thought processes using book drawings, conversational writing and hole punching on the pages.
Poster design and titles for Francisco and Jasmin short film
Template design for Louisas project Climbing the firewall.
Collaboration with Guillotina for crop top design.
This book is a collaboration with my beloved Avital Barkai for her web project Writing Cure. It is sticky to read, full of details and as a book got a nice feeling to the touch.
Every second page you can open it as a poster that interpreted an interface of the website.
We have some last copies available.
More than 500,000,000 objects inhabit the solar system; planets are only the 8 largest after the sun. This zine is an 8-page journey through space bodies that coexist with the largest objects.
T-shirt Illustration design for Colo Coffee in Colombia.
Long sleeve design silk-printed by Diantres in Bogotá, Colombia.
(*)
No matter the nature of the thing, the possible jump between its particles creates its life.
Time for them always dilates, expands and become transparent. The appearance of the thing does not lie on its life meaning.
The jump is the indeterminate synthesis of the in-between: the invisible and subtle space of energy.
Lights, rocks, stems, tension, space and composition.
Once I made sketches for a full series of these prints, I think one day I’ll make it happen.
“morph” is a visual sequence where Scorpio, Moon, Mercury, Mars, and Pluto are astrological triggers for questions about control, trust, detachment, and levity. Using the idea of a loop, this publication is presented as an infinite trace of personal transformation and reflection.
when air hopes for water,
it becomes scorpion to swim,
fully sunk, air forgets how to breathe,
sometimes dies,
sometimes lives,
it shines,
they drown,
both morph.
This notebook was made in collaboration with Alberto Miani and Daniela Rodriguez. A offset printed notebook with drawings of particles spreading all over. This object is part of a bigger collection of daily life objects made in collaboration with different artists. An astray, a table cloth and this one, a notebook.
A print made thinking about the possibility that the plants have to bend, connect, trespass and become other.
Rather than communicate an objective relate or a story, Encounter seeks to propose several readings about the graphic information printed on paper speculating about three “levels” of communication: Syntactic, Semantic and Pragmatic. The book use as resources: organic forms that are related; different dimensions of language; paper inserts, and a text that suggests poetic and conceptual connections between all the elements of the book.
Reflection on repetition, emergency exits, and our ability to question what we see.
The framed version has the mountain from the poster painted on the frame.
Cansado, sentado en un tren, miraba el sol e intentaba pensar en inglés.
I will be with the dawn wherever she is, daughter of the moon and a silent sun,
I will be there, watching on you, your intentions, your dreams.
Smile to the journey, the change and the rhythm of this river that pretends to be.
One of my first RISO prints.
Un paisaje, el horizonte y las piedras que siempre aparecen.
Quiero volver a pensar en afiches para el páramo por eso estoy poniendo este en este archivo.
Por ahora acá va uno que hice aprendiendo RISO, y esa foto que use me gusta mucho. La tomé en el Chingaza, y no la encuentro por ningún lado.
Logo and illustration design for Poeos, a floral essence project in Colombia.
First RISO print ever, printed at a workshop with RISO Colmillo in Bogotá.
Staring at the sun is a book project about gaze, sun, power and contemplation.
(*)
Staring at the sun,
give up to the light,
find the center,
the being
Screen printed cards to distribute on fairs.
The beginning of a series of illustrations about seeds and watchers.
It was just that: a beginning.
Cover and back cover for Tajalapiz publication. A sketchbook collection of Bogotá artists.
This brings me good memories.
Poster design for a Barber shop in Bogotá.
I found this image as some of the only left in this old hard drive I had during the last years of Bachelor. There is something I like about this drawing. Something about carving maybe. The poster itself is not great but the wood. I don’t know, I also lost a lot of other things I made on woodblock.
Poster design for a Frankenstein the movie, part of the publication “Afiches de Horror”.
The poster was printed in Offset using two inks.
I remember I enjoyed a lot drawing the title.
A listening calendar that propose a time effort to listen more to others. Every day a sentence with a new question.
I was commissioned to make the creative direction, graphic design and print production.
(More pictures to come) (English version in progress)
Submission for the publication “Potato” by Potato press and the publisher mul-thee-funhjk-shuh-nl.
Design in Rotterdam, Amsterdam and Groningen.
<3
As part of the ongoing project Envision Change, Creative Media for Social Change commissioned me to create a publication to wrap up a year of processes with the community. We wrote, designed, and printed a map-like publication that gathers pictures, thoughts, and actions that inhabitants experienced.
Poster designed for Juan Francisco Rodríguez film called Parientes del valle luminoso.
The typography I used for the title is the same used in the short, it was made by Francisco scratching directly on the film with a needle .
The Doubt Times is a newspaper publication in the format of table placemat that trigger questions about disinformation.
In collaboration with Creative Media for Social change.
This project brought together artists, scientists and citizens to converse and create artworks reflecting on different questions. The output was an exhibition, multiple conversations and this printed book.
Layout design for the Master’s Thesis publication The ice was blue and the Ice was thick written by Lea Novi.
This was made in collaboration with Maria Paris under attempt’s umbrella.
We de try is a publication about listening made in collaboration with the writer Esther Kamara.
What are the differences between reflection and diffraction?
This experimental zine explores both thought processes using book drawings, conversational writing and hole punching on the pages.
Poster design and titles for Francisco and Jasmin short film
Template design for Louisas project Climbing the firewall.
Collaboration with Guillotina for crop top design.
This book is a collaboration with my beloved Avital Barkai for her web project Writing Cure. It is sticky to read, full of details and as a book got a nice feeling to the touch.
Every second page you can open it as a poster that interpreted an interface of the website.
We have some last copies available.
Contribution to the project Postal services initiated by Ana Maria Lozano and Sophia Prieto.
Pictures by Ana Maria.
More than 500,000,000 objects inhabit the solar system; planets are only the 8 largest after the sun. This zine is an 8-page journey through space bodies that coexist with the largest objects.
T-shirt Illustration design for Colo Coffee in Colombia.
Long sleeve design silk-printed by Diantres in Bogotá, Colombia.
(*)
No matter the nature of the thing, the possible jump between its particles creates its life.
Time for them always dilates, expands and become transparent. The appearance of the thing does not lie on its life meaning.
The jump is the indeterminate synthesis of the in-between: the invisible and subtle space of energy.
Lights, rocks, stems, tension, space and composition.
Once I made sketches for a full series of these prints, I think one day I’ll make it happen.
“morph” is a visual sequence where Scorpio, Moon, Mercury, Mars, and Pluto are astrological triggers for questions about control, trust, detachment, and levity. Using the idea of a loop, this publication is presented as an infinite trace of personal transformation and reflection.
when air hopes for water,
it becomes scorpion to swim,
fully sunk, air forgets how to breathe,
sometimes dies,
sometimes lives,
it shines,
they drown,
both morph.This notebook was made in collaboration with Alberto Miani and Daniela Rodriguez. A offset printed notebook with drawings of particles spreading all over. This object is part of a bigger collection of daily life objects made in collaboration with different artists. An astray, a table cloth and this one, a notebook.
A print made thinking about the possibility that the plants have to bend, connect, trespass and become other.
Rather than communicate an objective relate or a story, Encounter seeks to propose several readings about the graphic information printed on paper speculating about three “levels” of communication: Syntactic, Semantic and Pragmatic. The book use as resources: organic forms that are related; different dimensions of language; paper inserts, and a text that suggests poetic and conceptual connections between all the elements of the book.
Reflection on repetition, emergency exits, and our ability to question what we see.
The framed version has the mountain from the poster painted on the frame.
Cansado, sentado en un tren, miraba el sol e intentaba pensar en inglés.
I will be with the dawn wherever she is, daughter of the moon and a silent sun,
I will be there, watching on you, your intentions, your dreams.
Smile to the journey, the change and the rhythm of this river that pretends to be.
One of my first RISO prints.
Un paisaje, el horizonte y las piedras que siempre aparecen.
Quiero volver a pensar en afiches para el páramo por eso estoy poniendo este en este archivo.
Por ahora acá va uno que hice aprendiendo RISO, y esa foto que use me gusta mucho. La tomé en el Chingaza, y no la encuentro por ningún lado.
Logo and illustration design for Poeos, a floral essence project in Colombia.
First RISO print ever, printed at a workshop with RISO Colmillo in Bogotá.
Staring at the sun is a book project about gaze, sun, power and contemplation.
(*)
Staring at the sun,
give up to the light,
find the center,
the being
Screen printed cards to distribute on fairs.
The beginning of a series of illustrations about seeds and watchers.
It was just that: a beginning.
Cover and back cover for Tajalapiz publication. A sketchbook collection of Bogotá artists.
This brings me good memories.
Poster design for a Barber shop in Bogotá.
I found this image as some of the only left in this old hard drive I had during the last years of Bachelor. There is something I like about this drawing. Something about carving maybe. The poster itself is not great but the wood. I don’t know, I also lost a lot of other things I made on woodblock.
Poster design for a Frankenstein the movie, part of the publication “Afiches de Horror”.
The poster was printed in Offset using two inks.
I remember I enjoyed a lot drawing the title.
This is another oldie I found and thought it would be nice to add to the archive.
Sticker design of the three piglets tale: House 1, house 2, house 3.
